Museum Artifact: Peppy Thrill Punch Board Game, 1939
Made By: Chas. A. Brewer & Sons, 6320 S. Harvard Avenue, Chicago, IL
“One out of every three adults plays a punchboard or slot machine. More people do this than play church lotteries, the horses, and numbers games—all three combined.” —Samuel Lubell, Saturday Evening Post, 1939
Produced the very same year as the article quoted above,
Museum Artifact: Backglass from “All Star Hockey” Coin Op Game, c. 1942
Made By: Chicago Coin Machine Company, 1725 W. Diversey Parkway, Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: Box of Addition Flash Cards, c. 1940s
Made By: Ideal School Supply Company, 8316 S. Birkhoff Ave., Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: Expando Grand Slam Baseball Cap, c. 1960s
Made By: Wilbac MFG Co., 913 W. Van Buren St., Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: “Skill-Flight” Electronic Board Game, c. 1960s
Made By: Sidney A. Tarrson Compant, aka Tarco Toys, 518 S. Racine Ave., Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: Wooster College Felt Pennant, c. 1940s
Made By: Chicago Pennant Co., aka ChiPenCo, 6542 S. Cottage Grove Ave., Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: Sonja Henie Paper Dolls Cut-Out Book, 1939
Made By: Merrill Publishing Company, 14 N. Peoria St., Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Museum Artifact: Century of Progress Playing Cards, 1933
Made By: Arrco / Arrow Playing Card Co., 734-54 Mather Street (W Lexington St.), Chicago, IL
A promotional tie-in with Chicago’s “Century of Progress” World’s Fair in 1933-34 also marked a major point of progress for the city’s Arrow Playing Card Co., as it introduced its new identity as ARRCO—a name that would soon be familiar to amateur magicians,
Museum Artifact: Wilson Success Mid-Iron Golf Club, c. 1920s
Made By: Thos. E. Wilson & Co. / Wilson Sporting Goods, 2037 N. Campbell Ave., Chicago, IL
Today, a typical set of Wilson golf clubs includes “woods” made of titanium and “irons” machined from flexible steel alloys. But once upon a time, these crooked fairway sticks were exactly what they purported to be—utilizing hickory for the shafts,
Museum Artifact: Chicago Cubs “Pennant Fever” 7-inch Record, 1969
Made By: Chess Producing Corp., 320 E. 21st Street, Chicago, IL
Long before the Chicago Bears awkwardly rapped their way to a certified gold record with “The Super Bowl Shuffle,” the precedent for a singing sports team had already been set—albeit with substantially less commercial and cultural impact—by the baby bears over at Clark and Addison.
Nestor Johnson MFG Co., 1900 N. Springfield Ave., Chicago, IL
Skillfully shuffling a deck of cards, much like stoically smoking a pack of cigarettes, was a universal method of establishing one’s coolness in 1950s America. The risks of the manual shuffle, however—much like the cigarette smoking—were numerous and potentially deadly. And I’m not just talking about the carpal tunnel and paper cuts. If an amateur card shark failed to evenly redistribute his hearts and clubs,
Museum Artifact: Original Lincoln Logs Set 1C, c. 1958
Made By: Lincoln Logs, 1750 N. Lawndale Ave., Chicago, IL
“When I completed the design for ‘Lincoln Logs’ toy construction blocks, their success encouraged me, and making wooden objects became my temporary source of income. Marshsall Field’s bought all I could make.” –John Lloyd Wright, from his memoir My Father, Frank Lloyd Wright,
Museum Artifact: Schwinn “Hollywood” Bicycle, c. 1970
Made By: Arnold, Schwinn & Co. / Schwinn Bicycle Company, 1718-1740 N. Kildare & 1856 N. Kostner Ave., Chicago, IL
The last Chicago-built Schwinn bicycle rolled off the assembly line in 1982, and while the brand name is still embossed on the badges of various Chinese imports, anybody who buys a new one is bound to hear the inevitable cranky lament from a passerby: “they don’t make ‘em like they used to.”
The Schwinn in our own collection is a “campus green” Hollywood model,
Museum Artifact: Brunswick Black Scoring Crayons, c. 1950s
Made By: The Brunswick-Balke-Collender Co., 623-633 S. Wabash Ave, Chicago, IL
Research is underway on this one and a full write-up will be coming soon.
Arnold, Schwinn & Co. / Schwinn Bicycle Company, 1718 N. Kildare & 1856 N. Kostner Ave., Chicago, IL
These days, a head badge on the front of a bicycle is basically just an identification tag—a flat plastic hood ornament for lazy brand recognition. As you can tell by this flashy metal Schwinn “Majestic” badge from the deco era, however, even a small, functionally irrelevant bike part used to get the full VIP treatment down at the Arnold,
Museum Artifact: Two-Bat Table Tennis Set, 1954
Made By: Metal Moss MFG Co., 2215 S Michigan Ave., Chicago, IL [South Loop}
While ping pong is perhaps most simply described as a miniaturized, parlor room version of tennis, I prefer to look at tennis as an inefficiently over-sized adaptation of ping pong. Beyond being the greatest test of hand-eye coordination (and cunning) yet devised by mankind,
Museum Artifact: All-Star Baseball Board Game, 1968
Made By: Cadaco Inc., 310 W. Polk St., Chicago, IL
Half a century before “fantasy baseball” gave every Joe Sixpack the illusion of running his own Major League ballclub, the seeds of that multi-million dollar industry were planted inside colorful cardboard boxes like this one. “All-Star Baseball,” which first appeared in 1941, actually predated similar stats-based games like “American Professional Baseball Association” (1951) and the famous “Strat-O-Matic” (1961).
Museum Artifact: Miniature Radio Flyer Wagon from 1933 World’s Fair
Made By: Radio Steel and MFG Co., 6041 W. Grand Ave., Chicago, IL
In retrospect, it looks like one of the savviest and most successful promotional stunts of its era. But when Antonio Pasin—inventor of the Radio Flyer—decided to invest $30,000 into a coaster wagon exhibit for the 1933 World’s Fair, he considered it the riskiest make-or-break moment of his life.
