Museum Artifact: DeVry 16mm Movie Camera, 1929
Made By: DeVry Corp. / QRS-DeVry Corp., 1111 W. Armitage Ave., Chicago, IL
“For three decades, Dr. Herman A. DeVry—the man who conceived the idea of projector portability—made a succession of engineering contributions to the progress of visual education that won him a place with Thomas A. Edison and George Eastman on the Honor Roll of the Society of Motion Picture Engineers.” —DeVry Corp.
Museum Artifact: Addressograph Print Ribbon Tins, c. 1920s
Made by: The Addressograph Company, 915 W. Van Buren St., Chicago, IL
“If tomorrow morning the Addressograph were set down in your office, any sixteen year-old boy or girl in your employ could readily operate it and by noon be addressing envelopes, cards, statements, payroll forms, anything, everything, at the rate of 1,000 an hour.
Museum Artifact: Wide Gauge “Pocahontas” Electric Model Train Set with No. 4637 “Shasta” Locomotive, c. 1928, and O-Gauge Cast Iron Locomotive No. 3195, c. 1930.
Made by: American Flyer MFG Co., 2229 S. Halsted St., Chicago, IL
“Just Like Real Trains: The new 1928 American Flyer Rainbow Line radiates an atmosphere of supreme quality. Its exquisite beauty, realistic design, and skillful workmanship will instantly capture your admiration.
Museum Artifact: “A Trip Through Sears Roebuck & Co.” – Set of 50 Stereoview Photo Cards, c. 1908
Made By: Sears, Roebuck & Company, 925 S. Homan Avenue, Chicago, IL
“Which company do you think has the most stores, the most customers, the most sales, the most profits – and at the same time is the most loved, the most far-flung, the most legendary,
Museum Artifact: Nautical Lantern, 1910s
Made By: Geo. B. Carpenter & Company, 440 N. Wells St.
“Navigation lamp” or “nautical lantern” would be the more distinguished terms, but according to the official 1917 catalogue of George B. Carpenter & Co., the beat-up brass relic pictured above was actually categorized as a “motor boat light,” with a more specific designation as the “No. 5 Combination Light.” It originally would have included two separate Fresnel lenses (like the kind in a lighthouse),
Museum Artifacts: Franklin D. Roosevelt Pinback Campaign Button (1936), and 22 Pinbacks of Flags from Around the World (c. 1920s)
Made By: The Green Duck Company, 1725 W. North Ave., Chicago, IL
“We were as happy to be of service to the GOP as to the Democrats, and vice versa. Where politics is concerned, ‘I’m For Me’ and Green Duck is for Green Duck.
Museum Artifact: Allen “Red Arrow” and “The Ring” Lawn Sprinklers, c. 1940s
Made By: W. D. Allen MFG Co., 5650 W. Roosevelt Rd., Chicago, IL , offices at 566 W. Lake Street
W. D. Allen’s cast-iron “Red Arrow” lawn sprinkler first blasted off in the late 1930s, taking on an eventual space-rocket shape that landed it somewhere between the trends of Streamline Moderne and Atomic Age design.
Museum Artifact: Snickers Candy Bar Display Box, 1958
Made By: Mars Incorporated, 2019 N. Oak Park Ave, Chicago, IL
“If you like peanuts and chocolate too, then Snick-Snick-Snickers is the bar for you!” –Mars advertising jingle, 1950s
Still consistently ranked among the top ten largest privately owned companies, of any kind, in the world, Mars Incorporated ($35 billion revenue in 2017) stands in stark contrast to most of the cherished but long-defunct Chicago confectioners of yore—a graveyard of ex-rivals that includes Curtiss,
Museum Artifact: Cadet Bicycle Speedometer and Stewart-Warner Television + Stand, 1950s
Made By: Stewart-Warner Corp., 1826 W. Diversey Pkwy, Chicago, IL
“The ‘Cadet’ Bike Speedometer is not a toy! It’s a precision instrument, just like the one on your Dad’s car! It’s made by famous Stewart-Warner, the same company that has made millions of speedometers for cars, trucks, buses and motorcycles.” —Stewart-Warner advertisement,
Museum Artifact: Automatic Fire Extinguisher, c. 1920s
Made By: Geo. W. Diener MFG Co., 400-420 N. Monticello Ave., Chicago, IL
“Fire Insurance is always an unsatisfactory recompense for fire loss. Fire prevention is better. We manufacture everything for fire prevention and fire fighting.” –Geo. W. Diener MFG Co. advertisement, 1921
While only one of their names went on the banner,
Museum Artifacts: Chicago Clipper (c. 1902), Stewart Clipper (c. 1910), Stewart Carriage Heater (c. 1908), and Rain King Sprinkler (c. 1920)
Made By: Chicago Flexible Shaft Co., LaSalle Ave. and Ontario St., Chicago, IL
Don’t be fooled by the rusty and rustic-looking artifacts pictured above. When the Chicago Flexible Shaft Company introduced its line of hand-cranked horse clippers and sheep shearers at the end of the 19th century,
Museum Artifact: Airguide “Highlander” Wall Barometer and No. 36 Field Glasses, c. 1948
Made by: Airguide Instrument Co. / Fee & Stemwedel, Inc, 2210 W. Wabansia Ave.
“Into every Airguide instrument go the finest of materials, the painstaking care of skillful workers, and the thorough inspection of an exacting laboratory. No instrument leaves the factory until it has proved its dependability under conditions more severe than those actually encountered throughout the year.
Museum Artifact: Foley Banner Salve, c. 1900s
Made By: Foley & Co., 319-333 W. Ohio St., Chicago, IL
John Burton Foley was one the many opportunistic men of the Gilded Age to find his fortune in proprietary medicines; aka, patent drugs—the “cure-alls” that required no scientific substantiation to sell to the public. The Made In Chicago Museum has tracked several similar quackery kingpins from this same era,
Museum Artifact: Yourex “Silver Saver” Silverware Protector, c. 1920s
Made By: Associated Silver Company, 4450 N. Ravenswood Ave., Chicago, IL
“Ladies, did you ever get your nice silverware out to use for company and find it was badly tarnished, and that you had to rub and rub and rub to get it to look right? There is another way! We have just received a shipment of the marvelous Yourex Silver Saver.
Museum Artifact: Bally Mechanical Slot Machine Reel, c. 1930s
Made By: Bally MFG Co., 2640 W. Belmont Ave., Chicago, IL
Bally is one of the most recognizable and yet seemingly untethered brand names in America. It’s been associated—depending on your age and demographic—with arcade video games, casinos, rollercoaster theme parks, fitness club chains, and, starting in 2021, a stable of regional TV sports networks.
Museum Artifact: Ace Pilot Stapler 404, c. 1960s
Made by: Ace Fastener Corp., 3415 N. Ashland Ave., Chicago, IL
Adapted from a patent application first filed back in 1930, the Ace Pilot stapler is a fine example of a simple, utilitarian design that’s gradually earned itself more of a retro, decorative appeal.
The early models were so pitch perfect in function, in fact,
Museum Artifact: McLaughlin’s Imperial Mocha & Java Coffee Tin, c. 1900s, + 19 McLaughlin XXXX Coffee Trade Cards, 1890s
Made By: W. F. McLaughlin & Co., State Street and South Water Street., Chicago, IL
“Tastes Good—Always. You get the extra good quality in this coffee because it is imported direct and sold direct to retail dealers by W. F. McLaughlin & Co., the largest exclusive coffee roasters in the world.”
Museum Artifact: Paymaster Series X-550 Check Writer Machine, 1960s
Made By: The Paymaster Corp., 1811 W. Winnemac Ave., Chicago, IL
“The only way to have the Paymaster system when you NEED it is to have one all the time—NOW!”—tagline from 1951 Paymaster sales manual
Often kept well out of sight in the backrooms of banks and the HR departments of small businesses,
Museum Artifact: “End of the Trail” Native American Print & Wood Frame, 1925
Made By: Borin Manufacturing Company / Borin Art Products Co., 1325 S. Cicero Ave., Cicero, IL
When it comes to talented men of potentially questionable character, some folks say you must learn to “separate the art from the artist”—to appreciate their work on its own merits. It’s not clear if this same philosophy applies to the art dealer,
Museum Artifact: “Swing Girl” Electronic Mantle Clock, c. 1950
Made By: MasterCrafters Clock & Radio Co., 216 N. Clinton St., Chicago, IL
The MastersCrafters Clock & Radio Company was a literal mom and pop shop through most of its 50 year existence—operated first by Ben Lerman and his wife Kate in the 1940s and ‘50s, then by their daughter Doris and her husband Bernard Ellman into the 1980s.
