Museum Artifacts: (1) "U.S. Automatic" Pencil Sharpener, 1908; (1) "Giant," (1) 'Gem," (2) "Chicago" (1920s), and (4) "Dexter" sharpeners, 1930s
Made By: Automatic Pencil Sharpener Co. / Spengler-Loomis MFG Co., 58 E. Washington St., Chicago, IL [Downtown/The Loop]. Factory: 2415 Kishwaukee Street, Rockford, IL.
For many of us, the sight of an old desk-mounted, mechanical pencil sharpener brings back some sensory-charged childhood memories—the thrilling turn of the crank, the low roar of rotating metal, the confusingly alluring scent of fresh cedar shavings.
Maybe you were a kid in the 1930s, or, more likely, you attended a cash-strapped public school that was still using the same classroom supplies 50 years later. Either way, the odds are good that you encountered one of these durable devices made by the Automatic Pencil Sharpener Company, aka APSCO—a brand so prominent, it was like the No. 2 Pencil of pencil sharpeners.
The Made In Chicago Museum currently has 9 different APSCO sharpeners in our collection, including the popular “Giant” brand featured on this page, as well as an early "U.S. Automatic, a “Gem,” a pair of iconic “Chicago” models, and a gaggle of classy looking "Dexters." The patent date on our featured "Giant" here is 1921, lining it up with one of the more dramatic and controversial periods in APSCO’s history.
Drama? Controversy? Pencil sharpeners? But of course!
[APSCO pencil sharpeners in our collection include the original U.S. Automatic, the Giant, the Chicago, Chicago No. 2, Gem, and Dexter No 1, 2 and 3.]
The Origin Story
For most of its existence, the Automatic Pencil Sharpener Company was owned and operated by the Spengler-Loomis MFG Co. of Chicago, but there was a bit of an awkward courtship period beforehand. In its earliest incarnation, in fact, around 1905, APSCO’s home office was located in New York City, on Broadway, no less. Here, it promoted its first marquee product, the U.S. Automatic Pencil Sharpener—a hand-cranked, fearsome-looking beast with three rotating blades. We have one of these models in the museum collection, with a patent date of 1908, if you care to see it a bit more up close.
“It don’t grind, it cuts,” one 1905 advertisement claimed, and though not grammatically correct in any era, the message was received. The U.S. Automatic sharpener—which was actually designed and patented by the Chicago inventor Essington N. Gilfillan—became a huge seller for its New York investors. In an era when most folks were still whittling their writing sticks with a pocket knife, this was the next logical evolution.
The Spengler-Loomis MFG Company wouldn’t officially buy out APSCO and move it to Chicago until 1911, but the two key players in that takeover—Charles C. Spengler and Edwin C. Loomis—were loosely involved in the business almost from the outset.
Loomis was a western sales rep for the Automatic Pencil Sharpener Co., and had been pushing its products from his Chicago office for years. Spengler, meanwhile, was the “talent,” as they say.
An experienced mechanical engineer, the Swiss-born Chuck Spengler came to the U.S. in 1884, at the age of 25, and soon launched a successful machining and repair shop with his brother George in the town of Rockford, Illinois, about 80 miles west of Chicago. He spent a lot of his free time designing random gadgets, and earned patents for many of them, including a coin-changer, a locking mechanism, several types of garment clips, and a couple innovative new breeds of mechanical pencil sharpeners.
The short-lived “Spengler Brothers, Inc.” started manufacturing its new sharpeners in Rockford around the turn of the century, and—feeling assured of their mastery of the art—proceeded to buy out similar patents from other companies in the years that followed. Their efforts caught the attention of E. C. Loomis and APSCO, and a deal was soon struck, with Charles Spengler taking over leadership of the design and manufacturing of the U.S. Automatic sharpener—essentially fine-tuning Gilfillan’s original work.
In 1910, new buddies Loomis and Spengler organized their own business in Chicago—the Spengler Specialties Co.—which would soon be re-named the Spengler-Loomis Manufacturing Company. A year later, they managed to tow in their cash cow.
“E. C. Loomis, who has always been largely interested in the Automatic Pencil Sharpener Co., is now president,” the American Stationer reported in 1911. “He, together with Charles C. Spengler, of the Spengler Brothers Company of Rockford, Ill., and Mr. Elmer H. Adams, of Chicago, senior member of the legal firm of Adams, Bobb & Adams, has bought the entire interests of the former New York stockholders.
“. . . The association of Mr. Spengler with the company gives it a mechanical engineer than whom there is no better. With Mr. Spengler at the head of the mechanical department, Mr. Adams, one of Chicago’s foremost attorneys, and Mr. Loomis in charge of sales, the company will continue its position as the leading manufacturer of pencil sharpeners.”
Cranking Out the Product
The Automatic Pencil Sharpener Company started its Chicago era at 35 E. Randolph Street, but in 1913, a new factory space was commissioned in Spengler’s adopted hometown of Rockford—where land was substantially cheaper and railroad access was still optimal. The APSCO and Spengler-Loomis corporate headquarters, meanwhile, remained in Chicago, with offices in the Garland Building on Wabash and another at 58 E. Washington Street.
The state-of-the-art Rockford factory, completed in 1914 and located at 2415 Kishwaukee Street, covered 26,000 square feet, with upwards of 150 employees soon working to produce half a million pencil sharpeners per year. It’s here where our jolly green “Giant” sharpener was born—originally designed as merely a bigger version of the flagship "Chicago" model.
[The former APSCO factory in Rockford, then and now]
By the early 1920s, there were more than a dozen other APSCO models being produced, including the aforementioned “Gem,” as well as the “Dexter” (named for Loomis’s son), "Wizard," “Junior,” “Dandy,” and, of course, the "Ideal-Dandy Climax"—which sounds like Jay Gatsby describing a satisfying sexual experience.
Each design had a different set of quirks and its own price point, but the strategy was always to undercut the competition. The most popular example of this was the original “Chicago” sharpener, which debuted in 1915 and was promoted as “a low priced machine of extraordinary value.” It was probably Chuck Spengler’s simplest design—using two replaceable milling cutters of tool steel and a detachable metallic or transparent chip casing—but it would influence most of the mechanical sharpeners of the next half century. To the buying public, meanwhile, the friendly $1.00 price tag was the real breakthrough.
“Placed on the market some few months ago, at what was considered a ridiculously low price ($1.00), the Chicago Pencil Sharpener sprung into instant favor . . . and has proven its worth,” hailed one 1915 review in the The Dry Goods Reporter.
APSCO purchased loads of advertisements in similar publications, encouraging salesman in the stationery trade to get in on this game-changing product.
“Your First Opportunity to Sell a Good Pencil Sharpener for $1.00—Do you realize what this means? Everybody everywhere a likely customer. Every home needs it. Every office cannot get along without one. . . . The time is NOW for Dry Goods and Department Stores to push the Chicago Sharpener.”
When E. C. Loomis and his sales manager R. M. Decker made a pitch, they seemed to swing for the fences (to mix baseball metaphors). “This little machine,” another ad claimed, “has silenced the oft-repeated cry of the children, ‘Daddy, sharpen my pencil!’ It has confined the butcher knife to its legitimate business, and saved the nerves and patience of parents. . . . It is as necessary as the telephone or sewing machine.”
Yes, the time had finally come for the children of America to pull themselves up by the boot straps, handle their own pencil sharpening business, and leave their fathers alone to drink irresponsibly and mumble about the suffragettes.
In my elementary school days, it was always one kid’s responsibility to dump out the class’s lone pencil sharpener receptacle at the end of each day (again, this was in the 1980s and ‘90s, not ancient times). Every once in awhile, a poor soul would spill the whole mess on the floor, revealing the frightening magnitude of fallen timber required to get us all through a few hours of division problems and notepad doodles.
There was also that frustrating phenomenon of proudly sharpening your pencil to a perfect razor sharp point, only to watch it shatter halfway through the first flamboyant gesticulation of a cursive "Q." No machine was infallible.
[1918 Charles Spengler patent utilized in the Chicago "Giant" sharpener design]
In many ways, APSCO seemed like the perfect American success story—a mechanical genius, a wiley salesman, and an affordable product lead to rising sales and legions of satisfied customers. They were the largest producer of pencil sharpeners in the world, and exported to the entire globe accordingly. But as noted in the introduction, the years surrounding the creation of our Giant sharpener were tumultuous in other respects.
Just a couple years into the existence of Spengler-Loomis’s Rockford factory, with demand for the Chicago sharpener on the rise, the company experienced the first of many labor disputes with its growing workforce.
When a group of nine unionizing troublemakers were handed their walking papers on a cold winter’s day in 1916, things turned violent, as the men returned to the APSCO plant the next morning with some extra “friends” and some bad intentions. The ensuing riot led to twenty-two arrests and a full team of policemen taking batons to the crowd.
To make matters more complicated, World War I was underway, and much of the production at the Spengler-Loomis plant was shifting into government contract work. Along with pencil sharpeners, the plant normally manufactured trunk hardware, stamping tools, sugar dispensers, and a line of stove-top ovens, to name a few. Now they were slowed by metal rationing and increasingly paranoid about losing market share to the mounting hoards of patent thieves. There were wolves at the door.
When the real war ended, Loomis and Spengler began a legal one. They took action against competitors like the Stewart MFG Co. over subtle pencil sharpener design elements, and also went to the mat when accused of the same offenses by an elite rival like the Boston Pencil Pointer Company.
In 1920, the Boston company successfully got an injunction filed against APSCO for supposedly stealing their design of a “chip receptacle having non-transparent ends and a transparent body portion extending all the way around the receptacle.” Furious at the ruling, E.C. Loomis took out full page ads in several 1921 issues of Geyer’s Stationer and Office Appliances to debunk these claims and ease the minds of his customers within the trade.
“Before Jumping at Any Conclusions…” was the bold-faced title, and it was followed by a guarantee that “we are not infringing a pencil sharpener patent owned by anyone.
“Do not allow any responsible or irresponsible representative of any manufacturer of pencil sharpeners to cause you one moment’s concern over any patent litigation,” Loomis wrote. “This is no funeral of yours. It is our party.”
Indeed, the APSCO president knew a thing or two about partying. Back in 1919, a recap of the Chicago Stationer Association's Banquet & Ball in the pages of Geyer’s Stationer specifically describes Mr. Loomis as having "danced himself into such a state of exhaustion that he has gone to Florida for a few weeks to recuperate.” He was not an unconfident person.
And sure enough, by the autumn of 1921, Loomis was dancing again. APSCO won an appeal against the Boston Pencil Pointer Co., reversing the original decision and granting Spengler-Loomis the right to make its transparent receptacle again—which they would do on future designs like that of our Giant sharpener.
The Rockford Files
The Automatic Pencil Sharpener Company would remain an industrial pillar in Rockford for another 60 years, surviving the Depression, another world war, and the demise of the Spengler-Loomis MFG Co. some time in the 1950s. It would carry on under the ownership of Maple Industries in the 1960s and Berol Corp. (formerly the Eagle Pencil Co.) in the ‘70s and ‘80s.
APSCO Products, Inc., as it came to be known, was never able to compete in the electric pencil sharpener game quite the same way it had in the old mechanical days. The company that had defined a specific style of universally appreciated tool was now seemingly obsolete—even if many school systems hadn’t gotten the memo.
Click any of our other museum artifacts below for more:
[Advertisement for the Giant from 1947, just before APSCO changed its logo and designs]
[Automatic Pencil Sharpener abandoned its longtime aesthetic for a whole new look in the late 1940s, and also adopted the "APSCO" nickname as its primary identity]
The Rock River Valley: Its History, Tradition, Legends and Charms, Vol. II, 1926
"Pencil Sharpener" - Spengler Brothers, U.S. Patent 1,197,157 (1916)
"American Pencil Sharpener Co." - American Stationer, Vol. 69, 1911
"The A.P.S. Company's New Factory" - American Stationer, Vol. 76, 1914
"Concerning the Pencil Sharpener Litigation" - American Stationer & Office Outfitter, Vol. 90, 1922
Historic Encyclopedia of Illinois & History of Winnebago County, Vol. II, 1916